The villa as an architectural category has always been linked to a particular sort of escapism: the upper class of society, being tired of urban bustle, preferred a solitary yet luxurious way of living in a natural environment to densely populated and noisy city. This very essence of the villa remains unaltered despite several style changes, developing principles of design and introduction of mind-blowing paradigms such as modernist movement. ‘Tochka na karte’ (Russian for ‘a point on the map’) living room pavilion enters into a dialogue with the concept of villa and opposes the ideas of accessibility, equality and openness to the elitist, private and isolated character of modernist glass house villa which was taken as an aesthetic model for the project. Denying the vertical hierarchy, space can be described as highly welcoming and inclusive for everyone who enters it.  At the same time, the pavilion inherits the modernist desire to set a new standard of life and offers a refreshed understanding of spending the leisure time, being outside of the city and reestablishes the link between the architecture and the context of its existence.